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Alex Chitty | Favorite time of day (Diptych), 2013 | Inkjet prints, walnut, maple 15" x 11" (each)

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Alex Chitty | Favorite time of day (Diptych), 2013 | Inkjet prints, walnut, maple 15" x 11"

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Alex Chitty | Favorite time of day (Diptych), 2013 | Inkjet prints, walnut, maple 15" x 11"

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Zach Reini | K.H.P.H 001, 2014 | spray enamel, acrylic, graphite, polyacrylic and vinyl on panel 16” x 16"

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Zach Reini | K.H.P.H 001, 2014 | spray enamel, acrylic, graphite, polyacrylic and vinyl on panel 16” x 16"

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Zach Reini | K.H.P.H 002, 2014 | spray enamel, graphite, polyacrylic and vinyl on panel 16” x 16"

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Alex Chitty | Untitled, 2013 | Webbing, walnut, tacks 39” x 29”

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Zach Reini | Untitled (Big Void), 2012 | acrylic, ink, graphite and acetone transfer on paper 20 1/4” x 20 1/4"

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Alex Chitty | Pjoto3.jpg, 2013 | Poplar, air-dry clay, walnut, webbing, tacks, glass 27.25" x 17.25" x 29"

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Alex Chitty | Pjoto3.jpg, 2013 | Poplar, air-dry clay, walnut, webbing, tacks, glass 27.25" x 17.25" x 29"

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Zach Reini | Untitled (El Dorado), 2012 | acrylic, oil, ink, graphite, decals and tape on paper 20 1/4” x 20 1/4"

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Zach Reini | Verse 001 (Do Not Be Afraid...), 2013 | spray enamel, acrylic, latex, graphite, vinyl, and polyacrylic on panel 47 1/4" x 47 1/4"

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Alex Chitty | Beebo in they house, 2013 | Steel, inkjet print, silk, walnut 21.5" x 14.25"

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Zach Reini | Untitled (Tiled Wave), 2014 | wood, tile, grout, spray enamel 59” x 49” x 9"

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Zach Reini | Untitled (Tiled Wave), 2014 | wood, tile, grout, spray enamel 59” x 49” x 9"

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Zach Reini | For the Fun of it All (What Do You Do When You Don't Want to Be Dead?), 2014 | metal, wood, latex, nylon rope, chain, hardware, synthetic plant dimensions variable

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Zach Reini | For the Fun of it All (What Do You Do When You Don't Want to Be Dead?), 2014 | metal, wood, latex, nylon rope, chain, hardware, synthetic plant dimensions variable

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Alex Chitty | Untitled reference (ladyface), 2013 | Inkjet print, etched glass, maple

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Zach Reini | Untitled (The Son), 2014 | inkjet print, spray enamel, oil, ink and tape on paper 12 1/4" x 16 1/4"

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Alex Chitty | Untitled reference (handvase), 2013 | Inkjetprint, maple 15.25" x 12.25”

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 1 of 2), 2013 | Steel, cotton twine, gold-plated brass 83" x 55" x 7"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 1 of 2), 2013 | Steel, cotton twine, gold-plated brass 83" x 55" x 7"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 1 of 2), 2013 | Steel, cotton twine, gold-plated brass 83" x 55" x 7"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 1 of 2), 2013 | Steel, cotton twine, gold-plated brass 83" x 55" x 7"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 1 of 2), 2013 | Steel, cotton twine, gold-plated brass 83" x 55" x 7"

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Alex Chitty | Green snake like a french bean, 2013 | Graphite, Inkjet print on silk 26" x 22.5"

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Zach Reini | Verse 002 (Whoever Believes...), 2013 | spray enamel, acrylic, latex, graphite, vinyl, and polyacrylic on panel 47 1/4" x 47 1/4"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 2 of 2), 2013 | Steel, walnut, glass, gold, lucite frame, laser print, thread, pearl 50" x 14.25" 14.25"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 2 of 2), 2013 | Steel, walnut, glass, gold, lucite frame, laser print, thread, pearl 50" x 14.25" 14.25"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 2 of 2), 2013 | Steel, walnut, glass, gold, lucite frame, laser print, thread, pearl 50" x 14.25" 14.25"

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Alex Chitty | Of wood and other bodies petrified (Unit #2, part 2 of 2), 2013 | Steel, walnut, glass, gold, lucite frame, laser print, thread, pearl 50" x 14.25" 14.25"

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Codification

1.11.2014 - 2.9.2014

Alex ChittyZach Reini

LVL3 presents Codification: a two-person exhibition by Chicago-based Alex Chitty and Denver-based Zach Reini. Codification brings together two artists who deal with similar methods of construction while presenting varying forms of medium. Chitty works to push the limits of the traditional picture—often alluding to new systems of ubiquitous perception. Reini focuses on the “negative-reflection” of over-saturated and processed information within everyday life. Codification pulls the systematic methods of these two artists’ approaches into an arrangement of essential variables.

Opening Reception:
Saturday, January 11, 2014
6:00pm – 10:00pm

GalleryPast Artists